Twelve Days of Christmas: Day Eleven

Since it’s been almost a year since I last mentioned Barbara Stanwyck’s name, I figured that my Stanwyck ban can come to an end. As mentioned in one of my previous posts about Stanwyck, she starred in multiple Christmas movies. I’ve already talked about Christmas in Connecticuit (1945) and I’ve made brief mention of Meet John Doe (1941), but I have not spoke about her first, most obscure, Christmas film.
Remember the Night ( directed by Mitchell Liesen in 1940) finds Stanywyck playing Lee Leander, a shoplifter who gets picked up right before the Christmas holiday. During her preliminary hearing for the crime she meets prosecuting lawyer John Sargent, played by Fred MacMurray. While as a lawyer John is known to be a killer, he turns out to be a pretty nice guy and offers to give Lee a ride home to her family home in Indiana while on the way to his own family's Christmas. Of course, the pair meet up with misadventure on their way from New York to Indiana, and when Lee’s mother rejects her upon her return John offers to take her home to his mother’s for Christmas. All of the warm hospitality of the Sargent family soften Lee and she and John soon fall in love. However, the specter of Lee's post-holiday court date loom heavy.  Will John take a dive in the courtroom to help Lee get off? Will Lee let him jepordize his carreer to do it?

The reason that Remember the Night has remained fairly obscure is due to the fact that it does have such a bittersweet finale.  MacMurray's character is such a good guy and Stanwyck's has such a jaded past that it is inevitable that a union between the two of them would have more than its share of difficulties.  Yet, the scenes of the Sargent family Christmas are quite lovely, and the misadventures that the two expereince on the way home are pretty enduring.  It's funny that a few years later Stanwyck and MacMurray would be play cold-blooded killers in Billy Wilder's Double Indemnity (1944).  Mind you, you can see where their chemistry began.  It's also interesting to note that the screenplay was written by Preston Sturges who would go on to direct Stanwyck in The Lady Eve a year later.

Here's the trailer...

Twelve Days of Christmas: Day One

Although I'm not a huge fan of the film, White Christmas (1954) consistently comes up as one of those perennial Christmas favorites.  I don't think that I would have a such a problem with the film if it had a different name.  But, as it is, for a film with the word Christmas in the title, there's barely any scenes that involve Christmas.  Sure, in many of the musical numbers the performers are wearing red, and there's the requisite singing of White Christmas by Bing Crosby, but ultimately had the studio that produced White Christmas had not wanted to bank on the popularity of the song, the film could have easily been released as a regular old, let's put on a show, musical. 

The film revolves around a showbiz duo (Bing Crosby and Danny Kaye) who team up with a sister act (Rosemary Clooney and Vera-Ellen) to help save their former general's Vermont Inn.  Of course, romance blooms between the four leads, and by the end the inn is saved and the group puts on a magnificent show.

If you're looking for an old fashioned Christmas extravaganza, you're bound to be disappointed by the five to ten minutes of the run time that is actually devoted to yuletide revelry.  If you're looking for a delightful technicolor musical, you could do worse.  To save you from watching the entire film and being disappointed by the lack of Christmas, here's one of the two Christmas scenes... enjoy!

Xmas in Film: Bell, Book, and Candle

Witches, jazz clubs, drunken writers- not words traditionally associated with the holidays.  They do make for a unique take on the Christmas season, which is why today's film selection is such a Christmas treat.  Released in 1958, and starring the electrifying Kim Novak and her Vertigo leading man (and later day Christmas icon) James Stewart, Bell, Book, and Candle is an unusual film which sees that first act taking place on a very unusual Christmas Eve.

Directed by Novak paramour Richard Quine, Bell, Book, and Candle stars Novak as Gillian Holroyd, a bored, beautiful witch who owns a New York based African Art Store.  In the apartments above live her Aunt Queenie (famed character actress and former Bride of Frankenstein, Elsa Lanchester) and publisher Shep Henderson (Stewart).   Gil is fascinated by Shep, and when she discovers that Shep is engaged to a former college nemesis she decides to steal his heart for herself.  Using her magical Siamese cat, Pyewacket, she casts a spell on Shep to fall in love with her.  Shep is instantly smitten with her, dumps the evil fiance, and takes up with Gil.  The remainder of the film centres around Gil's brother, Nicky (played by the great Jack Lemmon) helping drunken writer Sidney Redlitch (played by comedy legend Ernie Kovacs) write a book about the New York witch community, Shep eventually discovering Gil's true identity, and Shep's attempt at breaking the spell that's Gil's put him under.  To be honest, none of these plots compare to the first forty minutes of the film.  I don't even bother with the final ten minutes which, like many films with a strong female lead, destroys everything about the character that makes her interesting.

Check out that awesome tree!

In spite of this film's shortcomings let's highlight what makes this film worth talking about - the Christmas scenes.  If you're looking for sleigh rides, people dancing the Reel, and turkey dinners look elsewhere.  If you're a witch you don't go in for that traditional Christmas stuff.  In the universe of this film, witches get dressed to the nines and go to the local jazz bar to hear songs about corpses at the bottom of the river.  I haven't even mentioned Gil's Christmas tree, yet.  Yes, witches have Christmas trees, and Gil's is a marvellous piece of modern art design.  Gil's wardrobe, designed by Jean Louis, is probably my favourite wardrobe in any film.  Seriously, the costume design of in this film is phenomenal.

As previously mentioned, this is not a great film.  It is a visual marvel with some creative details which make it something beyond the ordinary.  Here's a clip featuring the jazz club scene...

Three Festive Hollywood Pin-ups

Surprisingly enough, it is way more difficult to find Christmas pin-up pictures than it is Halloween ones (at least ones that weren't taken within the last five years).  Fear not gentle readers, I have come through with a few non-traditional pin-ups  for your viewing pleasure.  The one to the left is a picture of the star of White Christmas herself, Vera Ellen having fun while stooped upon a chimney top with bag and horn in hand. I'm not quite sure of the identity of the lady to directly below, but I think she's very brave to go snow shoeing in shorts and high heeled shoes.  The group of ladies in the picture at the very bottom of this page seemed to have moored their toboggan and fireplace on some one's shag carpeted stage.  At any rate enjoy everyone!

Xmas in Film: The Bishop's Wife

Films that feature characters who wear their religious beliefs on their sleeves (or in this film's case their collar), often fall into the dangerous territory of turning into overly sweetened tripe.  When angels are involved that tripe can become a diabetic coma inducing goo.  Shockingly though, The Bishop's Wife (1947) directed by Henry Koster, manages to sidestep that pitfall, in spite of starring a Bishop and the angel sent down from heaven to help him.  Mind you, it helps that the Bishop is played by the debonair David Niven, and the angel is played the equally suave and endlessly charming Cary Grant.  No Clarence Oddbody types for this movie.

It's Christmas time, and David Niven's Bishop Henry Brougham is trying to finalize the funding for the grand new cathedral that he and his congregation endeavour to build.  Unfortunately, all his efforts are at the expense of his relationship with his wife, Julia(played by Loretta Young).  The trouble is that our Bishop is so focused on the funding issues that he does not even realize the toll it is taking on his marriage.  After praying to god to send him help for his cathedral, Dudley the angel appears in his office claiming to be the answer to the Bishop's prayers. Everyone is charmed by Dudley and he soon inspires a wealthy old woman to donate her large fortune to the needy rather than to the cathedral; helps the community rediscover the old community church, and pretty much thwart all of the Bishop's, attempts to get the funding for his cathedral.  He also helps break Julia out of her sadness, further angering the Bishop.  Things get really sticky when Dudley realizes that he is deeply attracted to Julia. 

The Bishop's Wife is imbued with an incredible amount of wit and sophistication which acts as a safety net ensuring that the film never get too treacly.  When you have to lead actors who both perfectly embody the stereotype of the rarefied English gentleman playing against each other, there's not a lot of room for cheap sentimentality.  Representing the female side of the equation you have an actress like Loretta Young who brings a warm, down-to-earth honesty to Julia.  She is never a victim or a whiner, she puts on a brave face for her husband but her eyes give away the pain she feels at the increasing distance between she and her husband.  When she does start to experience happiness again, the feeling is so infectious that you can't help but smile.  The unusual triangle that springs up between the three never goes into crass territory, and feels original in spite of having a fairly obvious outcome.

Other than three great performances by three greats leads, this film features a wonderful supporting cast, beautiful black and white cinematography, and a merry dose of Christmas cheer.  Here's a most unusual trailer for the film.

Xmas in Film: Christmas in Connecticut

All right... this is the last time I talk about Barbara Stanwyck for a while.  Promise!  As I previous mentioned, Stanwyck made multiple films that occur around the Christmas holiday.  Today, I'll be speaking about the most obvious of these films 1945's Christmas in Connecticut, directed by Peter Godfrey.  There's Christmas in the title and a Christmas movie is what you get, which is actually not as common as you would think with many of these classic films.  Don't believe me?  Just look at TCM's annual Christmas offerings - many with a single scene devoted to something Christmasy to tie it in with the theme (speaking of TCM, I'm rather disappointed that they have elected to leave Christmas in Connecticut off their schedule this year).

Christmas in Connecticut features Stanwyck as Elizabeth Lane, a Martha Stewart type columnist for a popular House and Home magazine.  To her publisher and loyal audience she owns a farm in Connecticut, has a husband and baby, and is an expert cook and homemaker.  In reality though she is a bachelor girl who lives in a small New York apartment who doesn't even know how to boil water.  With the help of her dear friend Felix (played by the ever-endearing S.Z. 'Cuddles' Skall) and would be man (he wants to marry her, but she doesn't love him) John Sloan's own farm as inspiration she has managed to keep her ruse under wraps (up until this this point).  Everything changes when her publisher Alexander Yardley (played by another great character actor Sydney Greenstreet) demands that she invites a war hero to her Connecticut farm for a traditional Christmas.  Things get worse when Yardley decides that he would also like to come to Elizabeth's farm.  To keep the truth from coming out, Elizabeth agrees to marry John Sloan and with the help of Felix, create the illusion that she is the woman that inhabits the world of her column.  The scheme is perfect until she falls in love with the war hero (played by Dennis Morgan).  Hijinks ensue as Elizabeth and Felix jump through hoops to save her job and avoid marrying John Sloan.

This film is a novelty in Stanwyck's filmography, being one of the few roles where she doesn't have it all together.  In fact, she's kind of a passive character who allows much of the action to happen around her, especially when being pushed around by her publisher.  Part of the reason Stanwyck agreed to play the role of Elizabeth Lane was because the film she completed right before this movie was Double Indemnity, where she plays a cold-blooded seductress and murderer.  Due to the dark nature of the role, Stanwyck really needed a nice light role, which she found in Christmas in Connecticut.  You know what, she makes it work, and in the end we get to see a little bit of the strong independent Stanwyck that we know and love.

Ultimately, this film is completely charming.  It really deserves to be put on the same pedestal as It's a Wonderful Life and A Christmas Carol as a perennial Christmas classic.  Here's the trailer to whet
your appetite.

A More Risque Side to Betty & Veronica

It's funny, given the wholesome nature of Archie comics, I have never thought of Betty and Veronica as pin-ups.  It took finding this image with the word pin-up in big bold red letters for me to finally make the connection.  With their buxom, nubile bodies drawn in a wide array of skin-tight sweaters, short skirts, skimpy bikinis, and in jungle or cavemen themed strips flimsy fur sarongs, they are a kid friendly version of the pin-up girl. Upon further research I discovered one reason for this.

Archie comics, like any long running publication, have undergone numerous changes over the years, particularly in character design.  As new artists are hired on to work on the illustrations, character designs evolve.  In the world of the Riverdale gang, one man was particularly influential in creating the version of the Archie gang that people are most familiar with: Dan DeCarlo.

DeCarlo, was an illustrator who worked for several comic book and men's magazine publishers in the late forties and throughout the fifties.  He worked on such illustrious comic books as Sherry the Showgirl and Millie the Model.  In the late fifties he began freelancing for Archie comics and was later hired on after he was told that he could draw "anyway he liked".  Though the next few years the Archie gang's familiar look evolved by way of DeCarlo's pen along with some of the salacious sensibilities he learned drawing for those earlier publications.  If you have ever seen artwork from Archie comics of the forties and early fifties they look incredibly different from DeCarlo's.  DeCarlo continued providing artwork for Archie comics throughout the rest of his career and created popular characters Sabrina the Teenage Witch and Josie and the Pussycats.  He passed away in 2001.

Here are a couple more DeCarlo style Betty and Veronica Christmas pin-ups for your enjoyment.

Xmas in Film: The Shop Around the Corner

It's hard to believe, but I've actually gone through the first four days of December without talking about anything film related (non-animated, that is).  Well, that ends here as does my moratorium on talking about romantic comedies (I did say that holiday themed ones didn't count) as we look at the first Christmas movie of the season.  It stars a man who is ubiquitous with the Christmas season, starring in one of the greatest Christmas movies of all time- Mr. James Stewart.  But, we're not talking about It's a Wonderful Life today- that would be way too obvious.  Instead, I wanted to highlight Jimmy's role in another great Christmas movie, 1940's The Shop Around The Corner, directed by Ernst Lubitsch.

The plot of The Shop Around The Corner is a very familiar (it was remade twice, as 1949's In The Good Old Summertime and 1998's You've Got Mail).  Two shop clerks who can't stand each other turn out to be each other's secret pen pals, with whom they are in each love with.  Stewart plays Alfred Kralik, a clerk at Matuschek & Company, a Budapest leather goods store and Margaret Sullivan plays Klara Novak, his fellow clerk/nemesis who turns out to be the woman of his dreams.  To be honest, their relationship doesn't really do much for me.  I find Margaret Sullivan's character to be incredibly histrionic and there are times when Stewart's character can be downright mean.  That been said, there are a couple scenes between the two that really shine - the scene where Stewart's character discovers that Sullavan's is his pen pal and toys with her while she nervously waits for her "pen pal" and the scene at the very end when Sullavan finally realizes that Stewart is her pen pal and they finally get together.  These scenes help make up for the rest of the film's lacklustre interactions between the two.

Now that I've taken care of the main plot of the film, I can focus on the reason that I really love this film- the subplots and the characters who inhabit them.  Like any retail establishment, this film is populated with an assortment of characters that give the film its life.  From the wise-ass delivery boy Peppy, to the kindhearted yet timid family-man Pirovitch, to the sleazy dandy Vadas - they all have their little backstories.  The biggest one involves the big man himself Mr. Matuschek (played by The Wizard of Oz himself Frank Morgan) who incorrectly suspects that Kralik is having an affair with his wife.  Prior to his suspicions he and Kralik had a relationship similar to that of a father and son, and this has a major effect on Stewart's employment and causes Matuschek to make an attempt suicide.  Not to worry though, this is a comedy and all turns out well in the end with everyone getting what's coming to him.

Everything culminates on Christmas Eve with one of my favourite Christmas scenes in any film.  Mr. Matuschek, who has just been released from the hospital has just given everyone their Christmas bonuses after a very successful Christmas Eve, looks to his staff (his one true family) for someone to spend Christmas with now that his marriage is over.  One by one they all tell them of their plans with friends and loved ones.  It looks like he's destined to be alone when he learns of the new delivery boy's situation (his family don't live in town) and he generously offers to take him for a wonderful Christmas dinner.  It's an unusually touching moment that makes the film for me.  Here it is...

An Early Xmas Present - Fashion of the Swinging Sixties Now on the Main Site

Great news!  We now have the latest page on our retro fashion review up on our main site.  In an admittedly lame attempt to tie the coming of the sixties section on the main page into our Bombshell Photography Christmas season,  I've used a screen shot from the Christmas episode of the AMC series Mad Men (episode 2 of season 4, entitled Christmas Comes But Once a Year, to be exact).  To be honest, it is the only picture from the episode that I could find that had a clear shot of some classic sixties fashion (sorry Christina Hendricks fans).  Oh well, Trudy Campbell (played by actress Alison Brie) has actually grown on me as a character.  If you've never watched Mad Men, I highly recommend it: if not for the stories for the series' brilliant recreation of the sixties.

To view our updated sixties fashion page click here.

Welcome to Bombshell Photography's Official Christmas Kick Off!

Christmas time is here, and we've got something very special to celebrate the  beginning of the Christmas season here on the blog.  As the official beginning to the season we have some Christmas themed pin-ups featuring myself and Lady B to help spread some Christmas cheer.